“1AM TRAIN” lives in motion. It feels like watching the city blur past a window while your mind replays the night in sharp detail.

Built on longing and emotional dissonance, “Underneath” feels intimate and distant at once, capturing the way memory can thread itself through even the most present moments.

With “Gossip,” Jaime Deraz and Bad Boyfriend transform rumor into heartbreak, exploring the sting of finding out a relationship might be over through someone else’s mouth.

Built on urgency and emotional clarity, “Exit Wound” feels like running forward while still bleeding, a record that refuses to sit still in grief, even when the grief refuses to let go.

It’s about the past refusing to stay past, highlight reels that play without permission, and the truth that sometimes time doesn’t give you distance, but clarity you didn’t ask for.

“Supercut” is built around the idea of memory as editing. Certain moments get replayed, re-colored, and re-cut until they feel more vivid than the present.

It is playful, a little petty in the best way, and fully aware of its own punchline.

In “So They All Say,” Jaime Deraz pushes back against the expectations that often arrive after loss. The song does not argue with grief. It argues with the timeline imposed on it.

“Give Me A Minute” finds Jaime Deraz writing from the quiet aftermath of her mother’s funeral, a moment where grief is still fresh, but the world has already started to return to its normal pace.

Deraz writes from the long aftermath, when the world keeps moving, unchanged, while everything inside you feels permanently altered.

With “See You Tomorrow,” Jaime Deraz returns to her most vulnerable singer-songwriter roots, delivering a stripped-back and hauntingly raw reflection on memory and loss.

The song moves with restraint and emotional clarity, spotlighting the devastation of realizing that love is not always enough to change an outcome.

House Clothes is Jaime Deraz at her most stripped-back and emotionally direct. Across five songs, the singer-songwriter EP traces what grief actually feels like when it is no longer a single moment, but a daily reality.

Bad Boyfriend and Jaime Deraz make a splash with “Meet Me In The Water,” a flirty, sun-soaked dance-pop track that dives headfirst into the thrill of summer love.

Jaime Deraz’s “Fight For Us” is a bubblegum pop knockout, pairing sugar-sweet melodies with a punch of raw emotion.

“So Sweet” reminisces on a romance that once felt sweet, but ultimately crumbled, and Deraz leans into the contrast with a sugary cadence that makes the bitterness hit harder.

“Fever Dreams” lives in that blurred space where heartbreak and euphoria collide, creating a reverie that feels cathartic on a dance floor and just as consuming in solitude.

“Sweetest Sound” sits in that specific summer-romance space where everything feels electric in the moment, and then lingers long after the season ends.

“Love Scars” captures a specific kind of post-breakup reality: you are trying to feel free, but your body still remembers.

“I Hate NYC” is not a rejection of the city itself. It is a portrait of how love can rewire your map. Streets become reminders. Corners become scenes. The skyline stays the same, but the meaning does not.